Music Production: From Creative Vision to Finished Record
Mike Lawson · artistproMedia

Follow a recording from its first production decisions through preparation, performance, editing, mixing and delivery. 48 lessons, practical assignments and seven written exams.
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Course outline
- Lesson 1 — The Producer’s Role: Vision, Judgment, and Responsibility
- Lesson 2 — Understanding the Artist and Defining the Record
- Lesson 3 — Evaluating Songs, Arrangements, and Performances
- Lesson 4 — Preproduction: Planning Sessions and Preparing Musicians
- Lesson 5 — Building Trust and Keeping Creativity Moving
- Lesson 6 — Listening Critically and Choosing References
- Lesson 7 — Understanding the Recording Chain
- Lesson 8 — Working with Rooms, Acoustics, and Monitoring
- Lesson 9 — Choosing Microphones and Finding Their Placement
- Lesson 10 — Setting Levels and Managing Signal Flow
- Lesson 11 — Creating Cue Mixes That Help Musicians Perform
- Lesson 12 — Organizing Sessions, Takes, and Backups
- Lesson 13 — Recording Musicians Together: Interaction, Isolation, and Bleed
- Lesson 14 — Preparing and Tuning Drums
- Lesson 15 — Recording Drums
- Lesson 16 — Recording Bass and Building the Rhythm Foundation
- Lesson 17 — Recording Acoustic and Electric Guitars
- Lesson 18 — Recording Piano
- Lesson 19 — Recording Keyboards, Synthesizers, and Electronic Instruments
- Lesson 20 — Recording Percussion
- Lesson 21 — Recording Horns and Woodwinds
- Lesson 22 — Recording Strings and Orchestras
- Lesson 23 — Producing and Recording Vocals
- Lesson 24 — Building Background Vocals and Harmonies
- Lesson 25 — Arrangement Through Sound: Space, Contrast, and Texture
- Lesson 26 — Overdubbing with Purpose
- Lesson 27 — Editing, Comping, Timing, and Tuning
- Lesson 28 — Compression and Dynamics: Control, Character, and Movement
- Lesson 29 — EQ and Tonal Balance
- Lesson 30 — Reverb, Delay, and Depth
- Lesson 31 — Saturation, Distortion, and Creative Processing
- Lesson 32 — Sampling, Programming, and Hybrid Production
- Lesson 33 — Experimentation: Breaking Habits and Finding Unexpected Sounds
- Lesson 34 — Knowing When the Production Is Finished
- Lesson 35 — Preparing a Session for Mixing
- Lesson 36 — Building the Balance: Rhythm, Vocal, and Supporting Parts
- Lesson 37 — Creating Width, Depth, and Separation
- Lesson 38 — Automation and the Emotional Shape of a Mix
- Lesson 39 — Evaluating Mixes Across Listening Systems
- Lesson 40 — Managing Feedback and Revisions
- Lesson 41 — Preparing for Mastering and Working with a Mastering Engineer
- Lesson 42 — Delivering and Archiving the Finished Project
- Lesson 43 — Field Recording and Found Sound
- Lesson 44 — Producing Music for Picture
- Lesson 45 — Recording Casts and Large Ensembles Under Time Pressure
- Lesson 46 — Broadcast Mixes and Playback Processing
- Lesson 47 — Surround and Immersive Production
- Lesson 48 — Produce a Complete Track: Brief, Session Plan, Recording, Mix, and Evaluation