artistproMediaLearning Studio

Music Production: From Creative Vision to Finished Record

Mike Lawson · artistproMedia

Course cover

Follow a recording from its first production decisions through preparation, performance, editing, mixing and delivery. 48 lessons, practical assignments and seven written exams.

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Course outline

  1. Lesson 1 — The Producer’s Role: Vision, Judgment, and Responsibility
  2. Lesson 2 — Understanding the Artist and Defining the Record
  3. Lesson 3 — Evaluating Songs, Arrangements, and Performances
  4. Lesson 4 — Preproduction: Planning Sessions and Preparing Musicians
  5. Lesson 5 — Building Trust and Keeping Creativity Moving
  6. Lesson 6 — Listening Critically and Choosing References
  7. Lesson 7 — Understanding the Recording Chain
  8. Lesson 8 — Working with Rooms, Acoustics, and Monitoring
  9. Lesson 9 — Choosing Microphones and Finding Their Placement
  10. Lesson 10 — Setting Levels and Managing Signal Flow
  11. Lesson 11 — Creating Cue Mixes That Help Musicians Perform
  12. Lesson 12 — Organizing Sessions, Takes, and Backups
  13. Lesson 13 — Recording Musicians Together: Interaction, Isolation, and Bleed
  14. Lesson 14 — Preparing and Tuning Drums
  15. Lesson 15 — Recording Drums
  16. Lesson 16 — Recording Bass and Building the Rhythm Foundation
  17. Lesson 17 — Recording Acoustic and Electric Guitars
  18. Lesson 18 — Recording Piano
  19. Lesson 19 — Recording Keyboards, Synthesizers, and Electronic Instruments
  20. Lesson 20 — Recording Percussion
  21. Lesson 21 — Recording Horns and Woodwinds
  22. Lesson 22 — Recording Strings and Orchestras
  23. Lesson 23 — Producing and Recording Vocals
  24. Lesson 24 — Building Background Vocals and Harmonies
  25. Lesson 25 — Arrangement Through Sound: Space, Contrast, and Texture
  26. Lesson 26 — Overdubbing with Purpose
  27. Lesson 27 — Editing, Comping, Timing, and Tuning
  28. Lesson 28 — Compression and Dynamics: Control, Character, and Movement
  29. Lesson 29 — EQ and Tonal Balance
  30. Lesson 30 — Reverb, Delay, and Depth
  31. Lesson 31 — Saturation, Distortion, and Creative Processing
  32. Lesson 32 — Sampling, Programming, and Hybrid Production
  33. Lesson 33 — Experimentation: Breaking Habits and Finding Unexpected Sounds
  34. Lesson 34 — Knowing When the Production Is Finished
  35. Lesson 35 — Preparing a Session for Mixing
  36. Lesson 36 — Building the Balance: Rhythm, Vocal, and Supporting Parts
  37. Lesson 37 — Creating Width, Depth, and Separation
  38. Lesson 38 — Automation and the Emotional Shape of a Mix
  39. Lesson 39 — Evaluating Mixes Across Listening Systems
  40. Lesson 40 — Managing Feedback and Revisions
  41. Lesson 41 — Preparing for Mastering and Working with a Mastering Engineer
  42. Lesson 42 — Delivering and Archiving the Finished Project
  43. Lesson 43 — Field Recording and Found Sound
  44. Lesson 44 — Producing Music for Picture
  45. Lesson 45 — Recording Casts and Large Ensembles Under Time Pressure
  46. Lesson 46 — Broadcast Mixes and Playback Processing
  47. Lesson 47 — Surround and Immersive Production
  48. Lesson 48 — Produce a Complete Track: Brief, Session Plan, Recording, Mix, and Evaluation